Episode 602: Phil Newsom

Hosted By Jason Godbey, Creative Director, Behind the Rabbit Productions

On this episode, Phil Newsome, producer of Albanian Gangster and Every Time I Die, talks about producing and distributing indie films.

No Rest for the Weekend is now live on YouTube, iTunesPocket Casts, Anchor.fmSpotify, and Google Play. Please remember to like, rate, subscribe, and share.

A Halloween Treat from Film Riot

Review by Jason Godbey, Creative Director, Behind the Rabbit Productions

“Write. Shoot. Edit. Repeat.” has been Ryan Connelly’s mantra since starting the Film Riot YouTube channel in 2006. Over the years we’ve seen the channel grow and Connelly’s filmmaking skills along with it. There’s Comes a Knocking is the latest in a long line of short film offerings from the writer/director. 

There Comes a Knocking is the story of Emma, a young woman who is mourning the loss of her lover. She is all alone in a new house, a house he bought for them. 

Stefanie Butler is compelling as Emma. She conveys a lot of emotion given the short run time, and makes us feel for her even before the screaming starts. We are drawn into her world by Connelly’s slow-moving camera, which seems to float omnipotently as we stay with Emma right until the chilling climax when the horror is revealed.

Cinematographer Chase Smith’s use of warm and cold light take the story from a drama about loss to a supernatural thriller perfectly complemented by Daniel James’ foreboding score. 

This film feels like what David F. Sandberg would have made when he was making his horror shorts if he had more money and a crew. It’s easy to see that Connelly and company have come a long way since their DIY days. 
There Comes a Knocking is a proof of concept short for what will hopefully become a feature film, a first for Connelly. After years of helping filmmakers improve their skills, he has sharpened his own and is ready to move to the next level, proof that his practice of writing, shooting, and editing will definitely open doors.

Episode 524: Kate Forsatz

Hosted By Jason Godbey, Creative Director, Behind the Rabbit Productions

On this episode actor/filmmaker Kate Forsatz talks about the making of her indie feature Thre3bound. We first met Kate at this year’s Soho International Film Festival.

No Rest for the Weekend is now live on YouTube, iTunesPocket Casts, Anchor.fmSpotify, and Google Play. Please remember to like, rate, subscribe, and share.

Episode 523: Alex Emanuel

Hosted By Jason Godbey, Creative Director, Behind the Rabbit Productions

Actor/Producer Alex Emanuel talks with host Jason Godbey about his indie feature, The Incoherents. We first met Alex and the team behind The Incoherents at this year’s Soho International Film Festival.

No Rest for the Weekend is now live on YouTube, iTunesPocket Casts, Anchor.fmSpotify, and Google Play. Please remember to like, rate, subscribe, and share.

Remembering Alien

Review by Jason Godbey, Creative Director, Behind the Rabbit Productions

Forty years ago in the summer of ’79, Alien, a revolutionary science-fiction/horror film made its way out into the world, bursting on the scene much like its titular character burst out of the chest of an unsuspecting John Hurt. Memory: The Origins of Alien explores the ideology and influences that gave birth to Alien as well as the film’s production and its meaning. 

Documentaries about the origins of movies are nothing new. In fact, there are documentaries, video essays, reviews, books, etc. about Alien which have existed since its release. One need look no further than the various DVD and Blu Ray releases of Alien to find how it was made. This raises the central question to the making of this documentary: what is left to say about this film that hasn’t already been said? Memory explores the Greco-Roman myths and the Lovecraftian imagery that influenced the creators of Alien. 

Alien is the brainchild of Dan O’Bannon, H.R. Geiger, and Ridley Scott; each one a visionary in his own right. This documentary explores their influences and how they were able to conceive what some consider a perfect horror film in space that spawned a franchise that has lasted until this day. 

Another unique way Memory explores Alien is through its discussion about the themes of the film, themes that were perhaps unconsciously explored by its creators. Themes such as feminism, male rape, male pregnancy, and patriarchal guilt can all be seen in its imagery. It is a testament to the documentary that these themes aren’t usually referenced in other films about the Alien franchise. 

Memory: The Origins of Alien comes from the mind of writer/director Alexandre O. Philippe, who uses stark lighting and dramatic angles to interview his subjects, mimicking the style of the film they’re discussing. It’s easy to see this was a labor of love for Philippe whose filmography is largely comprised of movies about movies including 2017’s 78/52: Hitchcock’s Shower Scene and 2014’s Doc of the Dead.  

If you’re an a sci-fi fan, or a fan of movies in general, you’ll find something to love in Memory. It’s more than just the making of a movie. It’s a love letter to Alien and a gift to cinefiles. 

Episode 521: Simone Policano

Hosted By Jason Godbey, Creative Director, Behind the Rabbit Productions

On this episode, actor/producer Simone Policano talks about her latest film, Auggie starring Richard Kind.

No Rest for the Weekend is now live on YouTube, iTunesPocket Casts, Anchor.fmSpotify, and Google Play. Please remember to like, rate, subscribe, and share. You can also send us your questions, and suggestions for topics, and let us know if you’d like to nominate a creator to be a guest on our show.

Indie Film News 9. 27. 19

Indie Film News for September 27, 2019

Hosted By Jason Godbey, Creative Director, Behind the Rabbit Productions

On this episode host Jason Godbey talks about the NYWIFT Road to the Emmy’s Event, the Katra Film Series, the new documentary Don’t Be Nice. The week we ask the question: why aren’t you watching indie films?

Indie Film News is a supplemental show in addition to our regular weekly episodes to keep you updated on news and events going on in the indie film world today. These are audio exclusive episodes, so subscribe on your favorite podcast app for the latest Indie Film News episodes.

“Don’t Be Nice. Be Necessary.”

DON’T BE NICE – Official Trailer from Radio Drama Network on Vimeo.

Review by Jason Godbey, Creative Director, Behind the Rabbit Productions

At the IFC Center in the heart of Greenwich Village, New York City, the new documentary Don’t Be Nice is currently playing in limited release. Don’t Be Nice is an unflinching look inside the Bowery Poetry Slam Team as they prepare for the National Poetry Slam competition. 

The film takes place during the summer of 2016 beginning with a night at the Bowery Poetry Club and ending with the National Poetry Slam in Atlanta, GA. At the heart of this movie are five poets; Ashley August, Timothy DuWhite, Joel Francois, Sean MEGA Desvignes, and Noel Quińońes who are guided by their coaches, Jon Sands and Lauren Whitehead as they write and perform hard-hitting poems that will advance them to the next level of competition and hopefully win them national competition honors which will open opportunities for teaching, tours, and book deals for them.

We witness the poets struggle to improve with each rehearsal and with each revision. Their performances are powerful and moving and somehow unpretentious.  Lauren Whitehead stands out as she continually pushes the young performers to dig deeper and make their poems personal and therefore more compelling. If you’re unfamiliar with slam poetry, Don’t Be Nice will open your mind and may leave you thinking “I didn’t know poetry could do all that.”

Director Max Powers and cinematographer Peter Eliot Buntaine take us inside the world of these artists and take us through their arduous and sometimes painful process. We see their breakdowns and breakthroughs as they experience deeply emotional moments. The poets talk about copeing with the death of loved ones, sexual and physical abuse, and the harsh realities of what it’s like to be a person of color in America today.

The writing sessions in the film can almost seem like therapy sessions which in the wrong hands would seem exploitative or like a cheap reality show, but somehow the filmmakers were able to capture these moments in a way that has us feeling as if we’re on this journey of discovery with the poets. We’re right their in the same room being moved by their stories and their work, not looking down at them or putting them in a box. It’s a fine line the film walks masterfully.

Following the screening there was a Q&A with producer Nikhil Melnechuk and editor David Lieberman. When I asked about the process of creating the film and how they were able to show these moments of emotion without devolving into manipulative exploitation, they explained that they conducted 10 test screenings with different audiences. After each screening, they made changes according to audience feedback. In some cases, this could prove to be a recipe for disaster due to the classic “too many cooks in the kitchen” problem and over-correcting, but it helped the film tremendously. They were able to continually improve cut by cut.

Another stand out moment is a performance of a poem by Ashley August staged in a Manhattan subway. Her poem is a satiric take on her own personal issues an anxieties. Her performance is impactful and at times hilarious. The scene could almost be considered a short film within the film as it illustrates how poetry can prove to be cinematic in the right hands.

Each performer is given a moment to shine as we see their work develop from the writers’ room to the stage. We see their courage, their audacity, and the love of their craft. This is a movie about making art for its own sake and the hope that art can make the world a better place. It’s a fantastic film and a must-see. Its title comes from the saying , “Don’t be nice. Be necessary,” and it is just that… necessary.

After a year on the festival circuit, Don’t Be Nice is now in limited release in New York City at the IFC Center until September 26th and opens in Los Angeles on September 27th. It will make its television premiere on October 11th 2019 on Fuse TV. 

Indie Film News

Hosted by Jason Godbey and Christopher Gillard

On this episode (linked above): 

The Ozzie Areu/Endavo Media merger – The latest on the new indie feature Slapface directed by Jeremiah Kipp,   The Ask for Jane VOD release starring Cait CortelyouIFP WeekBushwick Film Festival and NYC Web Fest.

Plus a preview of upcoming episodes featuring Celia Au from the Netflix series Wu Assassins, and Jordina Adorno from the ABC series Grand Hotel and more…

If you’re a filmmaker/creator with a project and you have a project you think we should know about, send a press release to info@behindtherabbitproductions.com. Be sure to include the words “Press Release” in the subject line along with the title of the project.

Episode 517: Joel Feinberg

Hosted By Jason Godbey, Creative Director, Behind the Rabbit Productions

On this episode Joel Feinberg, CEO of DeWolfe Music USA talks about the ins and outs of music licensing with host Jason Godbey.

No Rest for the Weekend is now live on YouTube, iTunesPocket Casts, Anchor.fmSpotify, and Google Play. Please remember to like, rate, subscribe, and share. You can also send us your questions, and suggestions for topics, and let us know if you’d like to nominate a creator to be a guest on our show.